String Project Brings Music Lessons to Area Kids

Press Release #
violin closeup



Geoffrey Herd’s passion for the violin is infectious. His enthusiasm has attracted students from China, Thailand, and throughout the US to study at the University of Tennessee, Knoxville. But now he is sharing his love of stringed instruments a little closer to home.

Geoffrey HerdGeoffrey Herd

Herd, a full-time lecturer in UT’s School of Music, recently obtained a $3,500 grant from the Tennessee Arts Commission’s Arts Building Communities program to inspire Knox County’s inner-city youth to take up stringed instruments.

The String Project provides instruments and private lessons for students in select Knox County schools. In August 2020, the pilot program was open to Sarah Moore Greene Magnet Academy students in grades three through five who participate in the YMCA after-school program.

“Our goal is to bring low-cost music lessons to the children and student teaching experiences to our graduate students,” Herd explained. “There is a huge gap today in young students’ participation in string education.”

a Knox County student takes a virtual cello lesson
A Knox County student takes a virtual cello lesson with Aubrey Liston

Six children—five violin students and one cello student—enrolled in the program. Their music teacher, Kirstine Andersen, is a vocal music education graduate from the School of Music. She said the students have three key obligations: they must be committed to following through with the program, bringing their instruments to school, and attending the after-school classes.

Students take weekly lessons with School of Music graduate students—Karen Christie, Varissara Tanakom, and Aubrey Liston—who create worksheets, practice charts, and other activities for them to work on between lessons. So far the focus has been on teaching fundamentals, Andersen said, but it will later shift to repertoire. They’re already making plans for a concert in the spring when the students can safely perform with their teachers.

“On a classroom level, I’m seeing these kids engage more,” Andersen said. “They have new knowledge they like to share—such as rhythm—and like to show their instruments to their classmates. Their confidence is growing, and they’re becoming leaders in the classroom.”

Andersen explained that although the students didn’t initially understand how difficult it can be to learn an instrument, they’re showing tremendous progress.

“They can now hear something and play it back by ear. You can see that they’re practicing,” she said. “They keep up with their practice charts, and the younger students especially like coloring in those boxes. In one case, that means 500 bow holds, which is tremendous. It shows their commitment.”

While the original plan for in-person instruction was waylaid by the pandemic, Herd looks forward to bringing the program to other schools soon. He notes that it can cost upward of $50 per hour for private lessons, so funding will be crucial. That’s where Hannah Schmidt, research development coordinator in UT’s Office of Research and Engagement, comes in.

Schmidt, who earned a master’s degree in art history from the University of St Andrews in Scotland, particularly enjoys working with research in the arts. In her role at ORE, she coordinates the Creative Residencies, Awards, Fellowships, and Trainings (CRAFT) Program, which serves faculty in the arts.

“When Hannah came to ORE, there was great excitement at the School of Music. Finding and submitting proposals through the UT System was all new to us,” Herd explained. “She attended our faculty meeting, taught us how to set up Pivot [a research database used at UT] accounts, and has been a valuable resource to the School of Music. There are a lot more applications going out, and a lot more money coming in.”

Herd’s grant from the Tennessee Arts Commission was a limited-submission opportunity, with only one application accepted from each institution. His application was successful in part due to Schmidt’s feedback after earlier limited-submission competitions. She later made edits and provided valuable suggestions for the final proposal.

“Hannah is so proactive,” Herd said. “If you haven’t met her, I encourage you to introduce yourself to her and talk about your goals. She’ll take the initiative and look for opportunities for you.”






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